Lareh Koto Piliang: Sistem Kekuasaan dan Musik Perunggu Dalam Kajian Konsep Estetika Musikal di Luhak Nan Tigo Mingkabau

Lareh Koto Piliang: Sistem Kekuasaan dan Musik Perunggu Dalam Kajian Konsep Estetika Musikal di Luhak Nan Tigo Mingkabau

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This article aims to discover the concept of Lareh Kotopiliang: Power Systems and Bronze Music in a Study of the Concept of Musical Aesthetics in Luhak Nan Tigo Minangkabau.Lareh Kotopiliang is oriented towards a royal or autocratic system of power, in which the primary figure holds the title of Dt.Katumangguangan.

A legendary figure, Dt.Katumangguangan is believed to be the one who first implemented this autocratic pt-insurence system of power or leadership.There are two types of bronze music, namely oguang and talempong.

From the aspect of performance, there are two different concepts: (1) oguang (a gong ensemble); and (2) talempong bararak (processional music).As an ensemble, oguang is played on top of a frame (rea), with gandang palalu and paningkah, six talempong, and two gongs.Talempong bararak is performed in procession – in declaration of the title of a headman, and musically is made up of three pairs of talempong – talempong jantan, talempong paningkah, and talempong pangawinan.

Each of the talempong pairs plays a different rhythmic pattern, and the combination of the three patterns forms the characteristic melody of talempong bararak.The problems addressed in this article are: first, the traditional historiography of Lareh Koto Piliang as part of the trilogy of power in Luhak Nan Tigo Minangkabau; second, Lareh Koto Piliang COCONUT MILK HAIR CONDI and the concept of bronze music; and third, the musical concept of talempong bararak.